Fridays are now my day for reprinting posts from Myth & Moor's extensive archives. This one, from summer 2013, is a compilation of paintings and drawings on the theme of Night (re-posted today with additional art). There is beauty, mystery, and magic to be found in darkness...and during dark times.
"The world rests in the night," writes John O'Donohue. "Trees, mountains, fields, and faces are released from the prison of shape and the burden of exposure. Each thing creeps back into its own nature within the shelter of the dark. Darkness is the ancient womb. Night-time is womb-time. Our souls come out to play...."
"Sometimes, when you're deep in the countryside, you meet three girls, walking along the hill tracks in the dusk, spinning. They each have a spindle, and on to these they are spinning their wool, milk-white, like the moonlight. In fact, it is the moonlight, the moon itself, which is why they don't carry a distaff. They're not Fates, or anything terrible; they don't affect the lives of men; all they have to do is to see that the world gets its hours of darkness, and they do this by spinning the moon down out of the sky. Night after night, you can see the moon getting less and less, the ball of light waning, while it grown on the spindles of the maidens. Then, at length, the moon is gone, and the world has darkness, and rest." - Mary Stewart (The Moonspinners)
"Night falls. Or has fallen. Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon, like a black sun behind cloud cover. Like smoke from an unseen fire, a line of fire just below the horizon, brushfire or a burning city. Maybe night falls because it’s heavy, a thick curtain pulled up over the eyes. A wool blanket." - Margaret Atwood (A Handmaid's Tale)
"Night does not show things, it suggests them. It disturbes and surprises us with its strangeness. It liberates forces within us which are dominated by our reason during the daytime." - Brassaï
"The message of the lullaby is that it’s okay to dim the eyes for a time, to lose sight of yourself as you sleep and as you grow: if you drift, it says, you’ll drift ashore: if you fall, you will fall into place." - Kevin Brockmeier ("These Hands")
"Anything seems possible at night when the rest of the world has gone to sleep." - David Almond (My Name is Mina)
"Night is a time of rigor, but also of mercy. There are truths which one can see only when it’s dark." - Isaac Bashevis Singer (
"Our fantastic civilization has fallen out of touch with many aspects of nature, and with none more completely than with night. Primitive folk, gathered at a cave mouth round a fire, do not fear night; they fear, rather, the energies and creatures to whom night gives power; we of the age of the machines, having delivered ourselves of nocturnal enemies, now have a dislike of night itself. With lights and ever more lights, we drive the holiness and beauty of night back to the forests and the sea; the little villages, the crossroads even, will have none of it.
"Are modern folk, perhaps, afraid of night? Do they fear that vast serenity, the mystery of infinite space, the austerity of stars? Having made themselves at home in a civilization obsessed with power, which explains its whole world in terms of energy, do they fear at night for their dull acquiescence and the pattern of their beliefs? Be the answer what it will, today's civilization is full of people who have not the slightest notion of the character or the poetry of night, who have never even seen night. Yet to live thus, to know only artificial night, is as absurd and evil as to know only artificial day." - Henry Beston (The Outermost House)
Look, as the day slows towards the space
that draws it into dusk: rising became
upstanding, standing a laying down, and then
that which accepts its lying blurs to darkness.
Mountains rest, outgloried be the stars -
but even there, time’s transition glimmers.
Ah, nightly refuged in my wild heart,
roofless, the imperishable lingers.
- Rainer Maria Rilke (Uncollected Poems: 1912-1922, translation by Susan Ranson & Marielle Sutherland)
"This is the ending. Now not day only shall be beloved, but night too shall be beautiful and blessed and all its fear pass away." - J.R.R. Tolkien (The Return of the King)
The illustrations above are : "Trolls" by John Bauer (1882-1918), "Celestial Pablum" by Remedios Varo (1908-1963), "Presently" by Jeanie Tomanek, "The Woods are Lovely, Dark and Deep" by Catherine Hyde, "The Arabian Nights: Descent" by Edmund Dulac (1882-1953), a drawing from the "Inner Seasons" series by Virginia Lee, "A Midsummer Night's Dream" by Arthur Rackham (1887-1969), "Kip the Enchanted Cat" by Adrienne Ségur (1901-1981), "The Nightingale: The Fisherman Stops to Listsen" by Edmund Dulac (1882-1953), "Murmur of Pearls" by Gina Litherland, "The Tin Soldier: The Dog Carries the Princess on His Back" by Vladislav Erko, "Companions to the Moon" by Charles Vess, "A Midsummer Night's Dream: Oberon and Titania" by Arthur Rackham (1887-1969), "Forest Sleep" by Kelly Louise Judd, "Marianna and the Whippets" by David Wyatt, "The Hidden Pool" by Flora McLachlan, "Eclipse" by Jeanie Tomanek, "Crossing the River" by Catherine Hyde, "Starfall" by Flora McLachlan, "The Wind and the Willows" by Inga Moore, and "The Legendary Unicorn" by Julia Gukova. All rights to the imagery and text above are reserved by the artists and authors.