Four writers on fairy tales
Tunes for a Monday Morning

From the archives: Stories that matter

The Wild Swans by Nadezhda Illarionova

Fridays are now my day for reprinting posts from Myth & Moor's archives. This one, from winter 2015, relates to themes we've been discussing here: fairy tales, the writing craft, and creating work of value in a fractured world.

Writing advice from Louise Erdrich:

"Begin with something in your range. Then write it as a secret. I’d be paralyzed if I thought I had to write a great novel, and no matter how good I think a book is on one day, I know now that a time will come when I will look upon it as a failure. The gratification has to come from the effort itself. I try not to look back. I approach the work as though, in truth, I’m nothing and the words are everything. Then I write to save my life. If you are a writer, that will be true. Writing has saved my life."

The Wild Swans by by Nadezhda Illarionova

Writing advice from Grace Paley:

"The best training is to read and write, no matter what. Don’t live with a lover or roommate who doesn’t respect your work. Write what will stop your breath if you don’t write."

The Little Mermaid by Nadezhda Illarionova

Writing advice from Ursula K. Le Guin:

"Socrates said, 'The misuse of language induces evil in the soul.' He wasn't talking about grammar. To misuse language is to use it the way politicians and advertisers do, for profit, without taking responsibility for what the words mean. Language used as a means to get power or make money goes wrong: it lies. Language used as an end in itself, to sing a poem or tell a story, goes right, goes towards the truth.

"A writer is a person who cares what words mean, what they say, how they say it. Writers know words are their way towards truth and freedom, and so they use them with care, with thought, with fear, with delight. By using words well they strengthen their souls. Story-tellers and poets spend their lives learning that skill and art of using words well. And their words make the souls of their readers stronger, brighter, deeper."

Thumbelina by by Nadezhda Illarionova

The art above and below is by the Russian painter and designer Nadezhda Illarionova, based in Moscow. She has illustrated tales from the Brothers Grimm, Hans Christian Andersen, Perrault, and Mother Goose...but these books, alas, are not yet available in English-language editions.

Thumbelina by Nadezhda Illarionova

Looking at Illarionova's wondrous work, I'm reminded of these words by Lynda Barry:

"There are certain children who are told they are too sensitive, and there are certain adults who believe sensitivity is a problem that can be fixed in the way that crooked teeth can be fixed and made straight. And when these two come together you get a fairy tale, a kind of story with hopelessness in it. I believe there is something in these old stories that does what singing does to words. They have transformational capabilities, in the way melody can transform mood. They can't transform your actual situation, but they can transform your experience of it. We don't create a fantasy world to escape reality, we create it to be able to stay. I believe we have always done this, used images to stand and understand what otherwise would be intolerable.”

Donkeyskin by Nadezhda IllarionovaThe illustrations by Nadezhda Illarionova are: A Meeting in the Woods (The Wild Swans), Picking Nettles (The Wild Swans), The Fickle Prince (The Little Mermaid), Mole and Mouse (Thumbelina), The Child Was Shivering (Thumbelina), and Donkeyskin. All rights to the art and text above are reserved by the artist and writers.

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