Tunes for a Monday Morning
Keeping the world alive

Skunk Dreams

The Skunk and the Magnolias by Jessica Roux

I'm sure I was not the only child who dreamed of sleeping with wild animals, although the closest I've come to that Jungle Book fantasy is to curl up with Tilly snoring beside me. The reality of animal life in the wild is different than fantasy tales of course -- as Louise Erdrich reminds us in this passage from her essay "Skunk Dreams":

"When I was fourteen, I slept alone on a North Dakota football field under the cold stars on an early spring night. May is unpredictable in the Red River Valley, and I happened to hit a night when frost formed in the grass. A skunk trailed a plume of steam across the forty-yard line near moonrise. I tucked the top of my sleeping bag over my head and was just dosing off when the skunk walked onto me with simple authority.

The Mouse and the Buttercup by Jessica Roux"Its ripe odor must have dissipated in the frozen earth of its winterlong hibernation, because it didn't smell all that bad, or perhaps it was just that I took shallow breaths in numb surprise. I felt him -- her, whatever -- pause on the side of my hip and turn around twice before evidently deciding I was a good place to sleep. At the back of my knees, on the quilting of my sleeping bag, it trod out a spot for itself and then, with a serene little groan, curled up and lay perfectly still. That made two of us. I was wildly awake, trying to forget the sharpness and number of skunk teeth, trying not to think of the high percentage of skunks with rabies, or the reason that on camping trips my father kept a hatchet underneath his pillow. 

"Inside the bag, I felt as if I might smother. Careful, making only the slightest of rustles, I drew the bag away from my face and took a deep breath of the night air, enriched with skunk, but clear and watery and cold. It wasn't so bad, and the skunk didn't stir at all, so I watched the moon -- caught that night in an envelope of silk, a mist -- passing over my sleeping field of teenage guts and glory. The grass in spring that has lain beneath the snow harbors a sere dust both cold and fresh. I smelled that newness beneath the rank tone of my bag-mate -- the stiff fragrance of damp earth and the thick pungency of newly manured fields  a mile or two away -- along with my sleeping bag's smell, slightly mildewed, forever smoky. The skunk settled even closer and began to breath rapidly; it's feet jerked a little like a dog's. I sank against the earth and fell asleep too.

The Deer and the Oats by Jessica Roux

"Of what easily tipped cans, what molten sludge, what dogs in back yards, what leftover macaroni casseroles, what cellar holes, crawl spaces, burrows taken from meek woodchucks, of what miracles of garbage did my skunk dream? Or did it, since we can't be sure, dream the plot of Moby Dick, how to properly age parmesan, or how to restore the brick-walled, tumbledown creamery that was its home? We don't know about the dreams of any other biota, and even much about our own. If dreams are an actual dimesion, as some assert, then the usual rules of life by which we abide do not apply. In that place, skunks may certainly dream themselves into the vests of stockbrokers. Perhaps that night the skunk and I dreamed each other's thoughts, or are still dreaming them. To paraphrase the problem of the Chinese sage, I may be a woman who has dreamed herself a skunk, or a skunk still dreaming she is a woman....

The Hare and the Oak by Jessica Roux

"Skunks don't mind each other's vile perfume. Obviously they find each other more than tolerable. And even I, who have been in the direct presence of a skunk hit, wouldn't classify their weapon as mere smell. It is more on the order of a reality-enhancing experience. It's not so pleasant as standing in a grove of old-growth red cedars, or watching trout rise to the shadow of your hand on the placid surface of an Alpine lake. When the skunk lets go, you are surrounded by skunk presence: inhabited, owned, involved with something you can only describe as powerfully there.

"I woke at dawn, stunned into that sprayed state of being. The dog that had approached me was rolling the grass, half-addled, sprayed too. The skunk was gone. I abandoned my sleeping bag and started home. Up Eighth Street, past the tiny blue and pink houses, past my grade school, past all the addresses where I had baby-sat, I walked in my own strange wind. The streets were wide and empty; I met no one -- not a dog, not a squirrel, not even an early robin. Perhaps they had all scattered before me, blocks away. I had gone out to sleep on the football field because I was afflicted with a sadness I had to dramatize. Mood swings had begun, hormones, feverish and brutal. They were nothing to me now. My emotions seemed vast, dark, and sickeningly private. But they were minor, mere wisps, compared to skunk."

The Goat and the Willow by Jessica Roux

The Chipmunk and the Bay Laurel by Jessica Roux

The art today is by Jessica Roux, an American painter whose work is rich in carefully-observed flora and fauna. Raised in the woodlands of North Carolina, Roux studied at the Savannah College of Art & Design in Georgia, and now works as a freelance illustrator and stationary designer.

"I can’t get enough of history," she says. "Old lithographs and studies by early naturalists are some of my favorite things. I love medieval bestiaries and the early Northern Renaissance. I’m also really inspired by nature. There are just so many strange plants and animals out there that I want to know more about."

The images here are from Roux's "Woodland Wardens" series, an oracle deck in progress. (I hope it's completed and published soon.) For those of you in or near Tennessee, the series can be viewed in the Jessica Roux exhibition at Gallery 205 in Columbia through Dec. 1st.

You can also see more of her work on her website and in her print shop here.

The Fox and the Ivy by Jessica Roux

The passage above is from "Skunk Dreams" by Louise Erdrich, first published in The Georgia Review (1993). All rights to the text and art above reserved by the author and artist.

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