Rooms of Our Own
Thursday, January 09, 2020
In Still Writing: The Perils and Pleasure of a Creative Life, novelist and memoirist Dani Shapiro discusses the importance of having (as Virginia Woolf instructed so wisely) a "room of one's own" for nurturing our best creative work:
"It doesn't matter what or where it is, as long as it is yours. I don't necessarily mean that it has to belong to you. Only that, for the time you're working, you have what you need. Learning what you need to do your best work is a big step forward in the life of any writer. We all have different requirements, different ways of working. I have a friend who likes to write on the subway. She will board the F-train just to get work done. The jostle and cacophany -- she finds it clears her mind. Me? You'd have to shoot me first. For one, I'm a wee bit claustrophobic. Also, I need solitude and silence. I have friends who work best in coffee shops, others who like to work in the same rooms as their partners. Friends who have written multiple books at their kitchen tables. Marcel Proust famously wrote in bed, and so did Wendy Wasserstein. Gay Talese, the son of an Italian tailor, dresses in custom-made suits each morning and descends the stairs to his basement study. Hemingway wrote standing up. One writer I know works best late at night, a habit left over from the years when she had young children under her roof and those were the only hours that were hers alone....
"We writers spend our days making something out of nothing. There is the blank page (or screen) and then there is the fraught and magical process of putting words down on the page. There is no shape, no blueprint, until one emerges from the page, as if through a mist. Is it a mirage? Is it real? We can't know. And so we need a sense of structure around us. These four walls. This cup. The wheels of the train beneath us. This borrowed room. The weight of this particular pen. Whatever it is that makes us feel secure in our physical space allows us to make the leap, hoping that the page will catch us. Writing, after all, is an act of faith. We must believe, without the slightest evidence that believing will get us anywhere."
I agree with Shapiro that it's important to discover how, and where, we do our best work -- for with this knowledge we can align our habits with our creative temperament instead of handicapping ourselves by working against our natural rhythms. But these rhythms, I find, also change through time; what has worked during an earlier phase of life might be entirely unhelpful to us today. Over the course of my life, I have been all of the writers Shapiro describes above (except that unimaginable subway scribbler): I was a big-city cafe writer in my twenties; I shared an office with a fellow writer throughout my thirties; I've worked in communal Art Studio buildings in New York, Boston, Tucson and Devon over the years...and yet today I find myself wedded to the silence and solitude of a small cabin by the woods.
And then, of course, when we think we've finally got it sussed -- our work place set, our habits established, our schedule steady, productive, and predictable -- life throws a curveball at us, things change, we change, and we start all over again. We have to hone our working methods not once but several times over, as our art and our lives unfold.
What what about you? Where do you do your best work? Do you have a "room of your own"...are you searching for one...or are you one of those people who can plunk down and work from anywhere? What's your ideal space; has it changed over the years? What was the best space that you've worked in, or the worst, and how much does your physical environment matter?
Do you ever retreat from the world to write or paint? What would the retreat space of your dreams be like? The room pictured here, in a 16th century Devon manor house, is one of mine....
Pictures: The photographs above are of Lewtrenchard, a Jacobean manor house in Lewdown, Devon -- home to the Victorian author and folklorist Reverend Sabine Baring-Gould, and the setting of Laurie R. King's novel The Moor, in her "Mary Russell" series. You can read more about Lewtrenchard (and the story of how Howard and I came to be there) in the picture captions, which you'll find by running your cursor over each photograph.
Words: The passages quoted about are from Still Writing by Dani Shapiro (Atlantic Monthly Press, 2013), which I highly recommend -- as well as the author's blog about her writing life, Moments of Being. All rights reserved by the author.
A related post: What makes a good writing day?, full of pictures of writing rooms, cabins, and huts.