I'm back in the studio today, not entirely recovered from a Long Covid relapse but doing a little better (touch wood). I'm taking it day by day at the moment -- which may continue to affect the Myth & Moor posting schedule, so please bear with me.
With Howard off on the Pilgrimage for Nature, I've been thinking a lot about climate change; so let's start the week with some songs about, and for, the world around us....
Above: "The Sadness Of The Sea" by singer/songwriter Martha Tilston, based in Cornwall. The song, she says, "was inspired by how I feel when I see the plastic that washes up on the shores near my home. However, it is also a song of thanks to the beauty of our natural world. " It appears on The Tape, the soundtrack album for Tilston's new film of the same name.
Below: "Half Wild" by singer/songwriter Kitty Macfarlane, from Somerset. She writes: "This song is a reminder that we are made of the same matter and mettle as much of the natural world, governed by the same laws and rhythms. We share the sea's chaotic balance of strength and fragility, and like the breaking waves, it's within our power to either leave a mark or to leave no trace." The song can be found on her album of the same name, released earlier this year.
Above: "Undersong" by Salt House (Jenny Sturgen, Lauren MacColl, and Ewan McPherson), based in Scotland. The song appeared on their gorgeous album Undersong in 2018. Their new album, Huam, is just as good, and I listen to both of them constantly.
Below: "Air and Light," from Jenny Sturgeon's exquisite album The Living Mountain (2020) -- inspired by Nan Shepherd's book of the same name, a classic of Scottish nature writing.
Above: "This Forest," a haunting folk tale of a song by The Rheingans Sisters (Rowan and Anna Rheingans), based in Sheffield. It's from their excellent third album, Bright Field (2018), with animation by Harriet Holman Penney.
Below, because we all need healing, both humankind and the more-than-human world: "Dina Dukhio" by Balladeste (American violinist Preetha Narayanan and British cellist Tara Franks), from their new album Beyond Breath. This one, they say, "is inspired by a raga-based Indian devotional melody from the Sai Lineage, which in essence translates as ‘overcoming sorrow.’ We wanted to explore the idea of ritual and letting go in this film following the experience of the last year and a half."
And here's one more, dedicated to Howard and his companions on the Long Walk to the Climate Change Conference in Glasgow:
Photographs: The south Devon coast in early September; and the Nature Pilgrims in Oxfordshire last week (the latter picture by Jolie Booth).