Feline Folklore

Cat and Mouse in Partnership by Arthur Rackham

For International Cat Day....

According to one old legend, cats were the only creatures on earth who were not made by God at the time of Creation. When God covered the world with water, and Noah set his ark afloat, the ark became infested with rats eating up the stores of food. Noah prayed for a miracle, and a pair of cats sprang to life from the mouths of the lion and lioness. They set to work, and quickly dispatched all the rats -- but for the original two. As their reward, when the boat reached dry land the cats walked at the head of the great procession of Noah's animals. Which is why, the legend concludes, all cats are proud, to this very day.

In the earliest The Key Marco Cat carvingfeline images found on cave walls and carved out of stone, wildcats are companions and guardians to the Great Goddess -- often flanking a mother goddess figure in the act of giving birth. Such imagery has been found in ancient sites across Europe, Africa, India and the Middle East. In China the lion, Shih, is one of the four principal animal protectors -- associated with rain, guardian of the dead and their living descendants. In the New World, evidence of wildcat cults is found across Central and South America, where the jaguar was the familiar of shamans and a powerful totemic animal. Ai apaec of the Mochica people of Peru was a much-revered feline god, pictured in the shape of a wrinkle-faced old man with long fangs and cat whiskers. A hauntingly beautiful wood carving of a kneeling figure with the head of a cat (pictured on the right) was found just off the Florida coast -- remarkably well preserved, the image dates back over three thousand years.

Seeking the Eye of Ra by Virginia Lee

We find the first evidence of the wildcat's small cousin, Felis catus, in ancient Egypt -- where the beasts were so sacred that any man who killed one was condemned to death. When a house cat died, the entire family shaved its eyebrows as a sign of grief; and mummified cats (along with tiny mummified mice) have been found in Egyptian tombs. In the 1st century BC, the Greek historian Diodorus reported the fate of a hapless Roman who'd caused the death of a cat:

Bastet"The populace crowded to the house of the Roman who had committed the 'murder'; and neither the efforts of the magistrates sent by the King to protect him nor the universal fear inspired by the might of Rome could avail to save the man's life, though what he had done was admitted to be accidental. This is not an incident which I report from hearsay, but something I saw myself during my sojourn in Egypt."

Mau was the Egyptian word for cat -- both an imitation of its speech, and a mother-syllable. Bast, the Cat-mother, was a goddess whose cult began in the delta city of Bubastis and eventually covered all of Egypt with the rise of the XXII Dynasty. Unlike the fierce lion-headed Sekmet from earlier Egyptian myth, Bast embodied the benevolent aspects of cats: fertility, sexuality, love and life-giving heat. Bronzes from the period show the goddess in her feline form (seated and wearing earrings), as well as in human form with the head of a cat, Young Woman Holding a Black Cat by Gwen Johnkittens at her feet. The twice-annual Festivals of Bast, as described by Herodotus, were carnivals of music, dancing, wine-drinking, love-making and religious ecstasy -- dedicated to Bast in her aspect as Mistress of love and the sensual pleasures.

Numerous legends tell of human beings who transform into the shape of a cat. Although some male wizards, magicians and shamans were gifted with this power, more commonly the shapeshifter was a woman, and a witch. Cats (along with bats, owls and toads) were believed to be witches' companions who aided in spells and carried messages to the Devil. During the tragically widespread witch trials of 16th and 17th century Europe, feline "familiars" were burned, hung, and drowned alongside their mistresses. A witch, it was said, could shape-shift into cat form whenever the moon was full. Good men were advised to lay consecrated salt on their doorstep, lest witches compel them to join in their revels.

Arthur Rackham

When we turn from folklore to fairy tales, shape-shifting cats are viewed as less sinister creatures. In "The White Cat," a popular French fairy tale by Madame d'Aulnoy, the three sons of a king are sent upon a series of quests. The youngest son meets a lovely white cat, the queen of an enchanted castle filled with cat-servants and courtiers. She helps the prince with his tasks, and over time he falls in love with her. In the end, she asks him to cut off her head; sadly, the young prince obeys her command. This breaks the spell, and the cat assumes her true shape as a human princess. (For a thoroughly modern rendition of the tale, I recommend Holly Black's YA novel The White Cat.)

The White Cat by Gennady Spirin

In "Kip the Enchanted Cat," from Russia, a mother cat and her kitten are actually human beings under a fairy's curse. The kitten is raised with a human princess and eventually aids her with several magical tasks, leading to the spell's undoing and a double wedding with two suitable princes. (This tale, about women's friendships, was a particular favorite of mine as a child.)

Kip the Enchanted Cat by Adrienne Ségur

"The Cat Bride" is a story of animal-transformation in reverse: a house cat becomes the human bride of a good and gentle man who allows the gossip of neighbors to undermine his marital contentment. (I recommend Jane Yolen's lovely retelling in her story collection Dream Weaver.)

The Russian fairy tale "Silvershod"  is the story of a poor man, a child, her beloved cat Moura, and a mysterious stag who sheds jewels in the snow. The fairy tale ends oddly, for the jewels bring prosperity but the dear little cat vanishes with the stag. In a bittersweet poem inspired by the fairy tale, Ellen Steiber writes: Drawing by Arthur Rackham

        In the north country
        a child wakes in a soft feather bed
        and remembers
        a red-brown cat
        whose nose was cold against her neck.

        In the north country
        a child sits in a tall, gabled house
        and remembers a pale gray stag
        with a silver hoof
        who gave and took
        what was most precious.

Silvershod, Puss-in-Boots, and The Three Who Spun by Adrienne Ségur

Papa Gatton by Ruth Sanderson

The best known fairy tale cat of them all, of course, is that clever, bold rascal called "Puss-in-Boots." The story as we know it now comes from the French version penned by Charles Perrault in the 17th century; in earlier versions -- such as those of Straparola and Basile in Italy -- Puss is just as wily, but hasn't yet taken to wearing his famous boots. In a Scandinavian version, "Lord Peter," our plotting Puss is female, and is really a princess under a troll's evil curse -- but in most tales, Puss is a cat, nothing more, albeit a very magical cat. (The bawdiest and best retelling, in my opinion, is Angela Carter's, in The Bloody Chamber.)

Puss-in-Boots by Omar Rayyan

In additional to Puss-in-Boots and other memorable rogues from folklore and fairy tales, cats stalk through the pages of books beloved by children and adults alike. Who could forget the grinning Cheshire Cat met by Alice in Wonderland, or poor hungry Simpkin in Beatrix Potter's The Tailer of Gloucester?

The Cheshire Cat by Sir John Tenniel

Simpkin by Beatrix Potter

Or Rudyard Kipling's The Cat Who Walks by Himself, padding his way through the Just So Stories? Or Edward Lear's The Owl and the Pussy Cat, setting to sea in their pea-green boat?

The Owl and the Pussy-cat by Chris Dunn

Or T.S. Eliot's dashing Growltiger in Old Possum's Book of Practical Cats? Or Mehitabel, friend to Archy the cockroach, in the poems of Don Marquis? Or the wily cats in Nicholas Stuart Gray's classic children's stories: Grimbold's Other World, The Stone Cage and Mainly in Moonlight? Or, more recently, the fabulous felines in A Circle of Cats and The Tanglewood Forest by Charles de Lint, illustrated by Charles Vess?

A Circle of Cats by Charles Vess

In 1817, the American author Washington Irving paid a visit to Scottish author and folklorist Sir Walter Scott. The following comes from Irving's account of that meeting, published in 1835:

Grey cat by Lisbeth Zwerger"The evening passed delightfully in a quaint-looking apartment, half-study, half-drawing room. Scott read several passages from the old romance of Arthur, with a fine deep sonorous voice, and a gravity of tone that seemed to me to suit the antiquated, black-letter volume. It was a treat to hear such a work, read by such a person, and in such place; and his appearance as he sat reading, in a large armed chair, with his favorite hound Maida at his feet, and surrounded by books and relics, and border trophies, would have formed an admirable and most characteristic picture. While Scott was reading, the sage grimalkin [Scott's cat] had taken his seat in a chair by the fire, and remained with fixed eye and grave demeanor, as if listening to the reader. I observed to Scott that his cat seemed to have a black-letter taste in literature.

"'Ah,' said he, 'these cats are very mysterious kind of folk. There is always more passing in their minds than we are aware of. It comes no doubt from their being so familiar with witches and warlocks.' He went on to tell a little story about a gude man who was returning to his cottage one night, when, in a lonely out-of-the-way place, he met with a funeral coffin covered with a black velvet pall. The worthy man, astonished and half frightened at so strange a pageant, hastened home and told what he had seen to his wife and children. Scarce had he finished, when a great black cat that sat by the fire raised himself up, exclaimed, 'Then I am king of the cats!' and vanished up the chimney. The funeral seen by the gude man was one of the cat dynasty. "'Our grimalkin here,' added Scott, 'sometimes reminds me of the story, by the airs of sovereignty which he assumes; and I am apt to treat him with respect from the idea he may be a great prince incognito, and may some time or other come to the throne."

Magic cats by David Wyatt and Omar Rayyan

Captain Cat by Inga Moore

Any one of the cats padding through our lives each day may be a future King or Queen of the Cats, just waiting for the call to claim their crown. They certainly seem to think so themselves. They know they are creatures of magic.

Cat Princess by Ruth Sanderson

The paintings and drawings above are by Arthur Rackham, Virginia Lee, Gwen John, Adrienne Ségur, Ruth Sanderson, Omar Rayyan, Sir John Tenniel, Beatrix Potter, Chris Dunn, Charles Vess, Lisbeth Zwerger, David Wyatt, and Iga Moore. The art is identified in the picture captions. (Run your cursor over the images to see them.) All rights to the art and text above reserved by the artists and authors.

Recommended Reading

An etching after Bruegel, 1817

Recent items of interest...

* Photos of UK writers' houses: Jane Austen, the Brontes, Frances Hodgson Burnett, Lucy Boston, Agatha Christie and more (Guardian Books). I want to visit them all.

* Tracy McVeigh looks at the re-wilding movement in Great Britain; and George Monbiot, author of Feral, celebrates the return of British otters (Guardian Wildlife).

* Artist Chris Maynard pens a beautiful essay on "Why I Find Feathers Alluring"  (Center for Humans & Nature blog).

* Artist Jackie Morris explains how she fell in love with peregrine falcons (Guardian Books).

* Stuart Kelly appreciates the very magical work of Bill Willingham (Guardian Books).

* Maria Tatar discusses the enduring appeal of Peter Pan (Huffington Post).

* Elizabeth Svoboda reflects on the power of story (Aeon Magazine).

* Cory Doctorow gives some excellent writing advice (Locus Magazine online).

* And finally, sadly, a beautiful eulogy for Charles Bowden (1945-2014) by Richard Grant. Chuck Bowden was a tough and brilliant Tucson writer whose work I've admired for many years: Blue Desert, Desierto, Frog Mountain Blues, Seasons of the Coyote, and so many other fine books. There was absolutely no one else like him, and he will be deeply missed. (Aeon Magazine)

Cat sketch by Arthur RackhamArt above: "Concert of Cats," a 19th century etching after Bruegel (via Bibliophila),  and a cat sketch by Arthur Rackham. These are for Stuart, Phyllis, Valerianna, and other cat fans here. But don't tell Tilly.

The Dog's Tale

Tilly plots to be the first Canine Poet LaureateThe Dog's Tales: a series of posts in which Tilly has her say...

We're supposed to be out of the office during this holiday weekend, but I've snuck back in while my People aren't looking so I can write up my Saturday post. My paws are a little clumsy, but if I sit up like a Person, I can just about manage the computer by myself. My post today is my first piece of canine poetry:

Ode to the Neighbor's Cats

Thou still unravish'd demons of fur,
      Thou taunting creatures of tooth and tail,
As brazen beasts as e'er there were
      Whilst over garden wall do sail:
What evil does thou plot today
      To taunt a brave and noble dog
Who's honor bound to chase away
      All cats who set foot in this yard?
 What beasts are these, half Siamese?
      What mad pursuit? What fleet escape?
What howls and barks? What wild ecstasies...


But wait, but wait...what's this?

The Path on Nattadon Not Taken

Oh no! I hear my People coming!

The Path on Nattadon Not Taken

Quick! Turn the computer off!


"Me? What am I doing? Uh...nothing."

Dog Howl

"Just sitting here chewing my bone...."

P.S. There are more of my poems hidden in the picture captions. Just run your cursor over them. Love, Tilly

Marge Piercy: Sleeping With Cats

Segur 1
I'm still under the weather health-wise (although the actual weather is lovely at the moment) -- but, as I've mentioned in a previous post, one of the few benefits of a long illness is that it gives one time to catch up on reading. I've been on a Marge Piercy binge this month, re-visiting old favorites (Braided Lives, Small Changes, Vida, Gone for Soldiers, etc.) alongside her fascinating, feline-obsessed memoir, Sleeping With Cats -- which is honest, raw and inspiring, like everything the woman writes. It was interesting to re-read Braided Lives after the memoir and to realize just how intensely autobiographical that particular novel is. Being set in the 1950s and early '60s (roughly my mother's generation), the book was a sharp reminder of just how much life has changed for women (and those of us with working class backgrounds) in the last 50 years.   

“In fiction, I exercise my nosiness," Piercy says. "I am as curious as my cats, and indeed that has led to trouble often enough and used up several of my nine lives. I am an avid listener. I am fascinated by other people's lives, the choices they make and how that works out through time, what they have done and left undone, what they tell me and what they keep secret and silent, what they lie about and what they confess, what they are proud of and what shames them, what they hope for and what they fear. The source of my fiction is the desire to understand people and their choices through time.”

I know exactly what she means.

I also love this quote, which may have to join the others I've handwritten (in gold ink, of course) on my office/studio wall:

“Writing sometimes feels frivolous and sometimes sacred, but memory is one of my strongest muses. I serve her with my words. So long as people read, those we love survive however evanescently. As do we writers, saying with our life's work, Remember. Remember us. Remember me.”

The picture above is by the French fairy tale illustrator Adrienne Ségur, another great lover of cats, whose best known work, The Golden Book of Fairy Tales, was published in the 1950s. The sketch below is one of mine, a little doodle for my cat-loving goddaughter Ely.

Cat & Mouse

Go gently

This song goes out for my cat Oliver, who died yesterday after sharing two decades of life with me.

Oliver as a kitten in BostonI first found him, a starving and flea-ridden kitten, on the back streets of Boston when I lived in that city, naming him after Oliver Twist because he was always hungry. He grew up into a big, strong, blustery fellow, affectionate and fearless -- even after our move to the Arizona desert, where he learned to give wary berth to coyotes and watch out for bobcats and snakes.

At the age of seven, he developed a cancerous growth in his ear. I was poor; friends said, "Look he's had a good life." But his was a life that I held in my hands, a sacred responsibility, so I emptied my bank account for an operation to give him a little more time. Reader, he lived to the age of twenty. Best money I ever spent.

He was tough, my dear boy. He loved his life, and his home, and me, and I loved him. I will miss him forever. Go gently, Oliver. Go gently, old friend.