The end of summer, diving into "deep work," and Widdershins collage #1

Studio garden

Howard and I are developing the practice of taking regular Work Retreats: a few days in every month in which we hole ourselves up in our respective studios, the Internet switched off and the phone disengaged, in order to focus with greater attention than is possible during ordinary interrupted working days. Today is a holiday here in Britain, but starting tomorrow, and for the rest of the week, I'll be incommunicado in my quiet studio. Then I'll be back online again on Monday, September 5th.

Studio garden

Book & Burne-Jones coffee mug

Late summer morning

I'm working on a writing project right now, while Howard has several things on his plate, from Commedia to puppetry. Come step through the gap in the garden hedge that leads from my studio cabin to his....

The path from studio to studio

...where you'll find him at work (in the picture below) building the frame for a Punch & Judy booth.

Howard Gayton

Each day, a wide range of sounds floats over the hedge from his busy workspace to mine: sawing, singing, accordion or mandolin practice, the laughter of theatre collaborators. the distinctive raspy voice of Mr. Punch...

Punch & Judy puppets

The hound

Commedia puppets

...a steady murmur of creativity that is close enough to feel companionable, yet distant enough to preserve the peacefulness I crave as I write or paint.

Garden path

Meanwhile, the Widdershins exhibition at Green Hill has ended -- and I do remember that I promised to share my art for it here once the show had closed its doors. Below is the first of my six Widdershins collages. I've set up the other five for automatic posting each morning of the week ahead while I'm on Retreat, one per day.

This one is called Once Upon a Time....

Once Upon a Time by Terri Windling

Here it is framed in my studio before the exhibition, and on the wall at Green Hill with the other five pieces in the series:

Collages by Terri Windling

Alan Lee, and collages by Terri Windling

I hope the end of your summer is gentle, peaceful, and full of creativity. See you in a week.

Ripe plums

Studio garden

"Sometimes I need only to stand wherever I am to be blessed."  - Mary Oliver

Tilly, August 2016


Jumping in....

Terri Windling's desk

Norman Rockwell, Patricia O'Brien, Vanessa Bell, and Harold Knight
To be of use

by Marge Piercy

The people I love the best
jump into work head first
without dallying in the shallows
and swim off with sure strokes
   almost out of sight.

They seem to become natives of that element,
the black sleek heads of seals
bouncing like half-submerged balls.

I love people who harness themselves, an ox
   to a heavy cart,

who pull like water buffalo,
   with massive patience,

who strain in the mud and the muck
   to move things forward,

who do what has to be done, again and again.

I want to be with people who submerge
in the task, who go into the fields to harvest
and work in a row and pass the bags along,
who are not parlor generals and field deserters
but move in a common rhythm
when the food must come in or the fire
   be put out.

The work of the world is common as mud.
Botched, it smears the hands, crumbles to dust.
But the thing worth doing well done
has a shape that satisfies, clean and evident.
Greek amphoras for wine or oil,
Hopi vases that held corn, are put in museums
but you know they were made to be used.
The pitcher cries for water to carry
and a person for work that is real.


Self-portrait by Anna Bilińska

Art desk

Sketches and such

"I want so to live that I work with my hands and my feeling and my brain. I want a garden, a small house, grass, animals, books, pictures, music. And out of this, the expression of this, I want to be writing. (Though I may write about cabmen. That’s no matter.) But warm, eager, living life -- to be rooted in life -- to learn, to desire, to feel, to think, to act. This is what I want. And nothing less. That is what I must try for."  - Katherine Mansfield

The writing and editing side of the studio

Studio muse, with rawhide chewPictures: Above right, ''Jo writing in the Attic'' (from Little Women) by Norman Rockwell (1894-1978), ''The Letter'' by Patricia O'Brien, ''Leonard Woolf at work at Hogarth Press'' by Vanessa Bell (1979-1961), and ''Dame Laura Knight Sketching'' by Harold Knight (1874-1961). Above left, "Self-portrait with Apron and Brushes" by Polish painter Anna Bilińska (1857-1893). Words: Marge Piercy's poem comes from her collection Circles on the Water (Knopf, 1982). All rights reserved by the writer and artists or their estates.


And off they go....

The Bumblehill Studio

The second Widdershins Exhibition opens this weekend (the first one was back in 2013), so it's been a busy month in the studio finishing up the six pieces I'm contributing to it.

The Bumblehill Studio 2

The Bumblehill Studio 3

The Bumblehill Studio 4

I've been focusing on drawing and collage-making lately -- putting paints aside for a little while in order to follow an intriguing new path: combining small sketches of my bunny-earred, bird-tailed Little People with the hand-stitched assemblage work of collage.

The Bumblehill Studio 5

The Bumblehill Studio 6

The Bumblehill Studio 7

Six framed collages left my studio this morning. I always feel a bit sad to see them go, as though the Little People really are little children who must now make their own way in the world....

But in fact, three of them are well-travelled already, having had their debut at The Fernie Brae gallery in Portland, Oregon. They have spanking new clothes for their next adventure, however, for each has been altered and enlarged so that they'll make a matched set with the three new additions. Now all six are at Green Hill Arts in Moretonhampstead, where I hope they'll play nicely with the other mythic artworks in the gallery.

Come see them if you can. The exhibition starts Saturday, and runs all summer. (More info here.)

The Bumblehill Studio 8

Below are details from each of the six pieces. I will show the pieces in full here on Myth & Moor, but not just yet. Right now they belong to Widdershins, and should be seen first in that context.

Details from the six collages by T Windling